Roger Dellar interiors in oils

I attended a workshop with Roger Dellar on Saturday I found an interior subject by looking through my sketch books. The image I choose was of a pre-fab building at the Chiltern Open Air museum. I had already worked out the details in the sketch and produced a colour sketch, this is the way I was taught at school. I find this approach easier than using a reference photo that I have never seen before.

The workshop was to be in oils but my water based oils, which I have never used, felt a bit dry and the linseed oil medium had turned to a solid lump. Roger uses only white spirit and linseed oil with both water based and traditional oils. For the workshop I worked in acrylic.

Roger started the workshop by demonstrating his way of working establishing a dark abstract design that he checked by moving his canvas round and checking from all angles for interesting shapes. He checked the perspective of lines and looked for ways to move the viewers eye round his picture. He then moved on to apply grey colours which he mixed by using the colour he wanted plus a complimentary colour to grey it.

I started my picture well and I managed to create my abstract design before I came a little unstuck. I prefer to work from black and white images with no colour reference So I found it hard to mix greys. I took a break from my work and made everyone a drink. While I was standing in the kitchen I had a good view of my work and I found a way to continue, plus Roger also helped by reminding me that I would need to add some green to the image to bring the view from the window into the picture.

Once the grey stage was complete the painting became easier to complete and after watching a bit more of Rogers demo I learnt that his technique is to look for colour and shapes within the image. On close inspection of my picture you will see abstract marks of colour that when you pull back create the shapes that make up the picture.

I was impressed with the final image. I think there are areas that I could improve as I painted myself into a corner with the dark shape on the right. I added some interesting dark shapes to this to suggest movement and to help the eye round the picture. There are areas within the picture that I think I would develop more in a future oil painting.

Rumour has it that Roger will be returning to the Woodley and Earley arts group to do an open air session next year...something I am looking forward too.

Below are the sketchbook drawings.

 

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