Using my three experimental colours (quinacridone red and gold plus Windsor violet), I aimed to find the lights and darks in my sketch of Samuel on the beach at Ryde. The nice thing about these colours is, they are all transparent and rarely, for me, produce muddy colours. I used a layering technique to get the darks and the final colour I layered in was q.gold to add brightness around the image - particularly on the back of Sams jacket to enrich the orange.
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